Thursday, April 28, 2011

The Invasion Event

The Invasion Event

The idea of doing my Bjorn Melhus remix came to me out of the blue or so it seemed when I heard we could do a remix on anything we wanted. I was so thoroughly impressed by Bjorn Melhus’s, “Deadly Storms,” when I saw it the first time in Professor Amerika’s History and Theory of Digital Art class. I had just had the opportunity to personally meet and talk with Melhus at his installation, "Still Men Out There," at the DAM Blink exhibit. His installation was an incredibly creative social statement on how human being’s emotional perspectives are manipulated through specific intended techniques in American movies. I thought it was brilliant. I was equally impressed with his "Deadly Storms," a work of art with a serious comment on the censorship and receptiveness of our media, particularly the news. I have always thought that the media, especially of late, doesn’t really say anything of real substance. The newscasters bleat out a stylized and sanitized form of what is going on in this country and the world, then repeat the same stance over and over again. Two very profound subject examples are; the War in Iraq or is it Afghanistan and the recent nuclear melt down in Japan. It seems that the information we see here on the news media, is vague, insignificant, unvaried, and mechanical. So, when I started thinking about my remix Melhus’s, “Deadly Storm,” was just what I wanted to work with.


The creative process was challenging to say the least but well worth it in the end. The script was one of my favorite parts. I tweaked the most repetitive part of “Deadly Storms,” he said, “there is an ongoing situation,” and I added, “and it is getting worse.” By adding the statement “and it is getting worse,” it clarified and added how I feel about what is happening here in the media and probably in other countries too, the lack of honesty, integrity, or the reporting of the actual truth. My whole script gestalted, I was very pleased with it. It was simple and it clearly reflects my personal beliefs, in the similar context that Melhus utilized. The next couple steps went hand in hand, I needed to figure out how I was going to actually alter the video and what should be presented. I decided that I wanted to have a plain background, unlike Melhus’s choice. I did imitate the same vertical three panel that he used. I decided to use myself as the actor, as Melhus does in many of his presentations. I had to get over the fact that I would be on the screen in front of my class. After I decided on how I was going to artistically convey the main character in the video, the next part was figuring out how to read my lines and to film it. I ended up making a powerpoint presentation of my lines and had my friend take the video that was propped up to keep it stable. It took many times to get the lines correct and in sync with the other panels. Once, I got all that done I had to figure out how to edit it. The process is long and rather hard to explain in detail in this blog. Let just say it was on a trial and error basis.


Finally, I put a lot of work into this project and I am very proud of the finished product. I feel this video remix was tight, it maintained Melhus’s original content but evolved into a work of art that represented and mirrored my individuality too. Also, it was quite gratifying to get the positive responses that I got in class and at the premier, “The Invasion Event.” By pushing myself past my comfort zone as an artist I learned I have greater potential then I once thought.


Wow, to see all the other digital installations and to listen to everyones conversations discussing some of the work was really awesome! At one point, I looked at some of these digital installations and thought, here in this room are some of the future famous digital artists. It makes one feel very fortunate for their educational experience and the people one is sharing their ideas with.

Out of all the digital works presented, my favorite digital art installation piece was Amelia’s remix Peco projection onto the mannequin face. I loved hearing about her artistic process and was thrilled to see the completion of her project. Another special presentation was Ian’s VJing piece. It was a great way to end the Invasion Event. Although, I have chosen my ‘favorites’ I was very impressed by the entire event.

Wednesday, April 27, 2011

William Basinski 4-27-11

I unfortunately was unable to attend Visiting Artist, William Basinski’s lecture at CU or his performance, “Disintegration Futures,” at the Black Box Theater in Boulder on April 15th. I was not familiar with his work so I started researching his background and music on the net. I found some substantial information regarding his life and was able to spend some quality time listening to a variety of his beautiful and soulful soundscape music creations, watching videos, and seeing pictures of his Installation. Some critics define his work as ambient music : music that evokes feeling and sets a mood, but I think there is much more depth in the poetic images and emotions that are felt and brought to mind.


William Basinski is a classically trained clarinetist and saxophonist. He is a composer and sound artist who has been producing soundscape music for over 25 years. “In 1978, inspired by minimalists such as Steve Reich and Brian Eno, he began developing his own vocabulary using tape loops and old reel to reel tape decks. He developed his meditative, melancholy style experimenting with short looped melodies played against themselves creating feedback loops. About the Disintegration Loops: In the process of archiving and digitizing analog tape loops from work I had done in 1982, I discovered some wonderful sweeping pastoral pieces I had forgotten about.”


I listened to segments of several of his, “The Disintegration Loops,” which was one of the top 50 albums in 2004 by Pitchfork Media. I generally have classical music playing in the background when I study or need a less tense environment. Listening to Basinski’s music made me feel the same way, calm and at ease. Although I have read that his music is temporal and melancholic it seems to me that it is very celestial and soothing. The series of “ The Disintegration Loops,” is really something to listen to. They are incredibly beautiful and made me feel emotionally connected to the collective consciousness of humanity. Apparently Basinski was finishing his recordings on September 11, 2001 and from his Brooklyn home he saw the Twin Towers disintegrate just like his old tapes. He has dedicated this work to the victims of 9/11 which seems very appropriate.


On Youtube “Melancholia,” is a black and white music video accompanied by a delicate and repetitive piano melody. This visual and auditory art piece was done by Basinski and James Elaine. While watching and listening to this piece I did not necessarily feel sad as the title would indicate but I definitely felt reflective. The viewer follows down a leafless tree arbored lane and comes upon a fragile wire globe of the world slowly turning. The globe then disappears. I think this quote is interesting, “Melancholia is a concise, darkly romantic psalm, an elegy, a love letter to a broken world.” I can understand why someone would feel this way while watching this video but when just listening to the music I only hear the sound of the beauty of the melody. Melancholia #2 is equally as beautiful musically but for me much more visually pleasant.


Basinski and James Elaine combined their talents to create an art installation at the Bleeding Edge Music Festival in Saratoga, CA. There are pictures on Flicker.


You can download his music through iTunes or Amazon.com.

Thursday, April 7, 2011

Final Project Proposal 4-7-11 (Th)

http://www.youtube.com/watch?v=lF0Ox9tOqFU&playnext=1&list=PL1ABEC37E31905E4E

Jacqueline Reynolds

Final Project

I am going to do a rendition of Bjorn Melhus’s piece “Deadly Storms.” It will be a spin off on the news media, and it’s daily delivery, like Melhus’work. This is one of my favorite digital art works because it is innovative, captivating, and thought provoking. This original piece inspired me to want to create a remix of his work and see what spin I could produce.

It relates to our course in that it will be a remix of Melhus’s groundbreaking piece. His work will be my primary source material. I will be using a Panasonic Lumix HD camera with video capabilities.

The following quote is a commentary on breaking news,

is a wry riff on the breathless, content-free style of breaking news so common on television.”

http://www.contentious.com/2008/12/01/bjørn-melhus-deadly-storms-video-art-nails-sensational-content-free-news/

1.) ***There is an on going situation and it’s getting worse

Are we being told the truth?

What is our reality?

1.) ***There is an on going situation and it’s getting worse

Are you aware of what’s really happening?

There has been irreversible destruction to planet Earth

1.) ***There is an on going situation and it’s getting worse

Time is of the essence, it is fleeting

The clock is ticking; tick toc, tick, toc

Mutation is now an issue

1.) ***There is an on going situation and it’s getting worse

The majority of it is contaminated

Are you afraid yet?

1.) ***There is an on going situation and it’s getting worse

It’s cold and dark, bleak, very bleak

Are we running our of resources?

Who’s talking? Who’s really controlling, pulling the strings behind the scene

1.) ***There is an on going situation and it’s getting worse

How come we didn’t think of this before?

What kind of alternative plans were made?

Are we prepared? Why weren’t we ready for all this

1.) ***There is an on going situation and it’s getting worse

Time is of the essence, little time left

This could happen anywhere again, at any time on this planet

There is no failsafe plan that will work as of now

1.) ***There is an on going situation and it’s getting worse

Reveal the truth now and action MUST be taken

Or iniallation will commence